Fine Art Landscape Photographer
Its goes without saying, I pretty much always tone my prints these days. A key advantage of this is stability and archival permanence, however as a pretty shallow guy a big part of why I tone my prints is aesthetic. It can really open a print up and make good print a bloody good print. […]
In Spring during our initial COVID-19 lockdown here in Scotland I decided I wanted to learn something new so I made an impulse purchase of an old Graflex Speed Graphic 4×5 camera. The Speed Graphic is specifically a press camera, this means it’s fairly restricted in terms of camera movements. It only has some front […]
Since upgrading my darkroom to the heavenly delights of running water and a nice big sink, I’ve been exploring chemical toning and to an extent different types of paper – specifically Ilford Warmtone FB paper which generally responds a bit more enthusiastically to colour changes with toners than a neutral paper like standard Ilford […]
I recently acquired a new enlarger for my darkroom – a De Vere 504 no less. It’s a complete monster, it really is huge. It’s the floor standing model and must be at least 8 feet tall, prints 35mm through to large format 4×5 negatives and is more than capable of producing prints a lot […]